"Messy Confessions: Sheila Heti's How Should a Person Be?" Avant Canada: Poets, Prophets, Revolutionaries. Eds. Gregory Betts and Christian Bök. Wilfrid Laurier UP, 2019: 173-196.

"The Trope of the Translator: (Re)Writing history in Heather O'Neill's The Girl Who Was Saturday Night and Claire Holden Rothman's My October. Canadian Literature 233 ("Literary History," Summer 2017): 51-68.

“'At the End of Everything': Confession and Critique in Michel Tremblay's Damnée Manon, Sacrée Sandra. ESC: English Studies in Canada 41.2-3 (2015): 43-64. 

“'The Suitable Language of Love': Confessional Discourse in By Grand Central Station I Sat Down and Wept.Studies in Canadian Literature/Études en littérature canadienne 39.2 (Spring 2015): 45-61.

“Paratactics: Marie-Claire Blais's Feminist Praxis in Soifs. Québec Studies 52 (Fall 2011/Winter 2012): 123-136.

Encyclopedia Entries

"Marie-Claire Blais." Critical Survery of American Literature. Ed. Steven Kellman. Hackensack, NJ: Salem Press, 2016: 280-85.

Book Reviews

"Scorching Air." Review of Catherine Owen, Dear Ghost and Sina Queyras, My Ariel. Canadian Literature. April 27, 2018.

“Pushing Boundaries.” Review of Catherine Leroux, The Party Wall (trans. Lazer Lederhendler) and Vickie Gendreau, Testament (trans. Aimee Wall). Canadian Literature. Dec. 15, 2017.

“Mind and Body.” Review of Jan Zwicky, Wittgenstein Elegies & Nicole Brossard, Ardour.” Canadian Literature (Spring/Summer 2016): 235-37.